You no doubt think I’m a bit old to be going clubbing these
days, and you’re probably right (though actually I only hung up my gogo jock
last year), but there was a time when I was out every weekend, and it was not
uncommon for me to visit three or more clubs in the space of a weekend. I won’t
deny that this marathon was only achieved with a certain amount of chemical
assistance, nor that my memories of it are now somewhat blurred. I do remember,
however, that I had a fantastic time.
I was a bit late coming to the club scene, and this
reminiscence is very much from a personal point of view, so apologies to all
those clubs I’ve missed out. For much of my twenties and thirties, I thought
clubbing rather frivolous, and, to be honest, I had very few gay friends. Consequently
I rarely hit the scene. There were occasional visits to Heaven (very different
from it is now, and, in those days, more reminiscent of the set for a 70s porn
movie, with a couple of pool tables in the bar. I’m pretty sure it was men only
when it first opened), but that was about it, and also to Bang, which was held
in the same club in Charing Cross Road, where G.A.Y got started. G.A.Y itself became a huge success for Jeremy
Joseph and eventually moved into the Astoria (I once appeared there in the
musical “Grease”) until the Astoria was pulled down to make way for Crossrail. For a long time Heaven and G.A.Y. (odd, then,
that Heaven is now home to G.A.Y.) were
the only clubs I really knew about and stories I’d heard about the likes of
Trade terrified me. All that changed when I took my first E. I was in my 40s,
would you believe. Maybe I’d been thinking life was passing me by, maybe the
landmark decade was to blame, but one weekend a friend and I decided that we
were going to try E, and that was the beginning, or the end, depending on how
you look at it. I remember we went to Love Muscle at the Fridge in Brixton.
Love Muscle was a raunchy gay night, which first opened at the Fridge in 1992,
and ran pretty much every Saturday night till 1998. After that Love Muscle
nights became increasingly infrequent, till it stopped altogether, though it
did have one brief revival on 31 December 2008. It doesn’t figure hugely in my
club going, but there is no doubt that for many years it was enormously
successful, and I know many who have great memories of it. Brixton was always
just that little bit too far away for me, and, truth to tell, by the time I
discovered clubbing, Love Muscle’s heyday was (just) over.
So, a perfect weekend for me those days would probably have
started at Crash on a Saturday night. Very occasionally I’d have made Fiction
at the Cross on a Friday, but that would have made for an even longer weekend
than usual, and even I had my limits, so Crash in Vauxhall (now Union) it would
be. Back in those days there was very little else in Vauxhall – no Fire, no
Area, no Bar Code, no Chariots, and the only other gay venue was The Hoist.
Vauxhall was not the gay mecca it subsequently became. Crash (promoted by Wayne
Shires) was dark, sexy and underground, and was where international DJ, Tom
Stephan first made his mark. This was not elegant, sophisticated clubbing. This
was a place to get down and dirty, though it wasn’t a sex club, and there was
no play area. At its peak it would be rammed with sexy, shirtless men, grinding
away to the tribal sounds for which it was famous. I managed to acquire one of
the highly prized black membership cards (don’t ask me how), which gave me and
a guest free entry and queue jump on any night. I’d just march down to the
front of the queue, flash the card, and I’d be allowed straight in. Ah, those
were the days!
They were also the days when promoters, though in
competition, would be careful not to tread on each other’s territory, and would
often collaborate in the realisation that they each fed each other. It was this
happy state of collaboration, which allowed clubbers to buy their tickets for Trade
at Crash before making their way to Clerkenwell to continue their night.
Fortunately, or maybe unfortunately, Trade’s home, Turnmills, was literally
only a couple of minutes’ walk from my flat, which meant that I could go home,
freshen up, and amble over to Trade just as the queues were dying down, and by
which time the club would be in full swing. Infamous, notorious Trade is a name
that even younger clubbers will no doubt recognise. The first after hours in
London, it was started by Lawrence Malice back in 1991, when the only way it
could get a licence was by providing food, which it did in the upstairs café.
It was not licenced to sell alcohol, though the resourceful could usually find
a way of acquiring it, and till very late in its residency at Turnmills, used
to officially only sell soft drinks, and also tea and coffee in the upstairs
café. Mind you, who needed alcohol to carry on dancing through Sunday morning.
Everything you’ve ever heard about Trade is probably true, the drugs, the
muscle boys in the fittingly christened Muscle Alley, the trannies. Madonna was
even known to put in the occasional appearance. Simon Patrick, who was manager
from 1995 till 2008, recalls one occasion when he was called over to the platform
that overlooked the dance floor by a bouncer, with the nickname of “The
Mortician”. Simon looked out over the dancers wondering what it was he was
looking for. “Just wait,” said the Mortician, and, sure enough, after a few
minutes a lone female figure leapt up out of the crowd, visible for just long
enough to be identifiable as Bjork.
From a single room, when it first opened, Trade expanded
until every square inch of the building was in use, including Gaudi, the
restaurant. And indeed Gaudi was the reason for the intricate iron work on the staircases
and the colourfully tiled bathrooms. Another of its famous features was the
installation of the awe-inspiring lasers somewhere around 1994. As Crash faded,
Trade would become my first club of the weekend. I would have an early night on
Saturday and get up early on the Sunday morning. My friends would all come over
for a quick breakfast, usually just a coffee and a pill, and off we would go,
fresh and rested and raring to party. We would descend into its caverns, as
others would pass on their way to church, hearing only the thud of the music
and noting the steam escaping from the air vents. No doubt a they would
consider it hell. To us it was paradise.
The Trade sound became famous worldwide, and many DJs made
their name there, principal amongst them being Tony de Vit, who tragically died
of AIDS related bronchial failure in 1998. Other names associated with Trade,
include Smokin Jo, Pete Wardman, Alan Thompson, Malcolm Duffy, Gonzalo, Steve
Thomas and Lisa German.
However, when Beyond opened at the Colosseum, Trade
revellers began to drift away. Maybe the the desire for hard house was coming
to an end. I do recall one morning, sitting on the stairs chatting to a good
friend of mine, and becoming aware of the racket emanating from the DJ booth.
“What the hell are we doing here?” he said, “That’s not music.” Whatever the
reasons, its popular peak was over and Trade ceased its weekly residency at
Turnmills in 2002, though it continued to put on occasional one off parties, which
were invariably packed out. Then it was announced that Turnmills would close
its doors forever in 2008. Trade would hold its last ever event there in March.
Its fame was so widespread that people came from all over the world to bid
farewell to the club they had so many great memories of. I was there with all
my old friends, of course, and, though we had determined to stay until the last
record was played, by about four in the afternoon we were exhausted and had to
leave. Pete Wardman played the final track ever to be played at Turnmills,
(Schoneberg by Marmion) at 5.45pm on 16 March 2008.
A group of friends at the Last Dance at Turnmills |
Trade continues to stage occasional events in various
different venues, but for me, as for so many others, Trade is Turnmills, now
just a pile of rubble prior to the building of a new office block. I feel a
twinge of regret each time I pass it.
There are others I remember fondly of course, like
Salvation, once monthly on a Sunday evening at the suavely sophisticated Café
de Paris, Action at what is now known as the Renaissance Rooms, Thursday
night’s Discoteq at The End, Factor 25, which, if memory serves me right,
changed venues and nights quite a few times, and a few others whose names
escape me, but there is one that, for me, reigned supreme.
On a Sunday night in November 1999, the usually quiet area
around Smithfield market was besieged with crowds of people queuing to get into
a new club. New super club Fabric had opened a week or two before, and the
queue on this Sunday night snaked all the way from the front door of the club
to Farringdon tube station. For weeks the gay papers had displayed two page ads
with the single word Addiction, but the word on everyone’s lips was DTPM. DTPM (which
stood for Demens Trelirium Post Meridien) had originally opened on an afternoon
in April 1993 at Villa Stefano in Holborn, and was started by promoter Lee
Freeman to cater to the clubbers leaving Trade, who wanted to carry on
partying. As the club became more popular, it moved to Bar Rumba in May 1994
and then to The End in January 1995, when it also moved to an early evening
time slot. When it finally left its residency at The End, there was a three
month hiatus before it re-opened at Fabric, this time as a late club (10pm to
5am). Lee had filled the three month void with expectation, and, in all my years,
I don’t think I’ve ever come across a night filled with such excitement and
buzz. Fabric was still brand new and there seemed to be a problem with security
that night, as we had to wait for a long time before finally being admitted,
and only then after a group of suited men carrying clipboards were seen to
leave the building. Once inside, though, we were thoroughly amazed by what we
saw. This was a huge venue, expensively and glamorously decked out. There were
three rooms, each with its own sound system and featuring a vibrating floor in
Room One: known as a "bodysonic" dancefloor, sections of the floor
are attached to 400 bass transducers emitting bass frequencies of the music
being played. Many people shook their heads, opining that the club wouldn’t
last, the venue was too big, there wouldn’t be enough people to fill it weekly
on a Sunday night, especially as it went on till 5 in the morning. Well they
couldn’t have been more wrong. DTPM’s run at Fabric lasted an amazing,
incredible 8 years. I should know, I spent almost every Sunday night down there
for every one of those years! I suppose its proximity to where I lived was my
downfall. Sunday evenings could be so boring, and, however much, I might tell
myself that I was going to stay in, come 10pm, my resolve would disappear.
“Maybe just for a couple of hours,” I’d tell myself, but invariably I’d find
myself stumbling home at five in the morning, usually with some young thing in
tow.
So what was it that made DTPM so special? Well it was a
combination of all the elements coming together to create that total
experience. First and foremost among them, as also with Crash and Trade, was
the music, something that too many promoters seem to forget these days. Many of
DT’s DJs, such as Smokin Jo, Alan Thompson and Steve Thomas were also Trade
stalwarts, but the music they played at DT was very different, deep and funky.
There was planning to the music too, so that, by the end of the night, you felt
you had been on a journey. Room one was my favourite haunt and a perfect evening
would find me getting in the mood with Miquel Pellitero, flying with Alan
Thompson and finally getting on down with Steve Thomas. When Alan Thompson left
to live in Sydney, DTPM took a while to settle down and fill that middle slot,
but eventually Mark Westhenry was a great replacement. So, having got the venue
and music right, the rest was down to attracting the right crowd. From day one,
Lee had stressed that the club was polysexual,
not gay or straight, but anything you wanted it to be. Though the vast majority
of clubbers were gay, there was a good cross section of all types. I remember
an elegantly dressed woman, who used to come down with her son and all his gay
friends. Plenty of big names attended too, amongst them George Michael, Robbie
Williams, Jason Orange, Rupert Everett and Liza Minnelli of all people. The
fabulous Kerry, who at one time, controlled traffic in the downstairs loo like
a sergeant major, tells a story of one famous diva (I can’t of course mention
names) who turned up with a deal of pomp, fuss and ceremony at the front
entrance, only to be carried comatose out of the back one five minutes later.
On bank holidays and other special days, the club would stay
open until seven in the morning, and, even then, the place would still be
packed, until the last song had played out, the crowds applauding and screaming
for more. In the notes accompanying the second DTPM CD release, celebrating 10
years of DTPM, Lee Freeman stated,
The hard core of customers are very loyal and come back
regularly, receiving a warm welcome from the long-standing staff and promoters,
who take a genuine and personal interest in the club. A family has been created
and this is a large contributing factor, which has helped to sustain the
success of DTPM.
I guess I was one of those hard core customers, and they
certainly made you feel welcome. I became a member a couple of weeks after
their first night at Fabric and remained one until they eventually left.
Membership was well worth it too. For a very reasonable annual fee, you got
reduced entry, four free tickets on your birthday, and, most prized of all,
queue jump. I remember asking which queue I should join on the first occasion
after becoming a member. “You don’t,” said Mark, aka Edna, “You just present
your card at the barrier and security will let you straight in.” I can’t tell
you how valuable that was. At its peak, even on a normal Sunday, the queue for
entry used to snake round the building towards Farringdon station. It may seem
hard to believe now that a Sunday club could attract that many people, but it
did, I can assure you.
Eventually though, and, like all good things, it came to an
end. There were many reasons for its demise. The drugs people used changed and
the club, which had always had a very relaxed attitude, had to become more
vigilant. Hardly surprising when clubbers were regularly passing out on GHB and
GBL, and ambulances were often seen outside the venue. Also a certain promoter
had decided that rather than join in the general air of collaborative rivalry
that existed between promoters, he would do his utmost to kill them all off.
His tactics worked and personally I think the club scene became the poorer
because of it.
DTPM tried a couple of revivals (I remember a particularly fabulous
New Year’s Day party at the Café de Paris), but its heyday was over and it
seems safe to say that DTPM is now just part of history, particularly as Lee Freeman
now has a new (and very successful) project, The Kennington gastro pub in Oval.
With the demise of Trade and DTPM, my clubbing days
virtually came to an end. If I do go out these days, it will probably be to
XXL, which seems to defy the passage of time, and is now doing better than ever
in its fabulous new home, Pulse, or I will go to Hard On, run with burning zeal
and energy by its indefatigable promoter Suzie Krueger. Suzie is without doubt
a survivor. She started Hard On’s forerunner, Fist, back in February 1994. Fist
was a strict fetish club; leather, rubber, uniform – no trainers or jeans
(unless worn under chaps), and that rule persists to this day. With a huge play
area, the club has never made any secrets about the crowd it is attracting,
though you might be surprised to find out how social it can be. Not everyone
goes to have sex. Many just enjoy the dressing up. Unfortunately the homophobic
local police managed to get Fist closed down in January 2002. Unfazed, and
determined not to be beaten, Suzie started a new club called Hard on, in
September 2003, at Cynthia’s, a swingers’ club in London Bridge. This time it
was strictly members only, and it was not possible to join on the door.
Applications had to be received in advance. Probably an administrative
nightmare, but somehow she managed it and the first night was absolutely
packed. Since then the club has moved around a bit, enjoying a 5 year run at
Hidden in Vauxhall (a nearby church managed to get Cynthia’s closed down). It
is now very comfortably housed in Union, formerly Crash, also in Vauxhall and,
if my last visit is anything to go by, is enjoying something of a revival. When
Hard On left Hidden, its clientele seemed to be shrinking, but recently the
club has been packed again. In addition to the leather, rubber, uniform code,
sports kit is now allowed (though not just trackie bottoms) and this may have
contributed to bringing in a younger crowd. What’s more, when I was there last
week, the music (provided by DJs Brent Nicholls, and Hugo’sland) was pumping,
the crowd were social and friendly and the bar and dance floor just as busy as
the play areas. All in all it was a great night, so it is good for me to be
able to end on a positive note, with a club we have loved and still love; Hard
On!